Later: A Poem (West Branch, Iowa: Toothpaste Press, 1978);
Later (New York: New Directions, 1979; London: Marion Boyars, 1980);
Corn Close (Knotting, Bedfordshire, England: Sceptre Press, 1980);
Mother's Voice (Santa Barbara. Calif.: Am Here Books/Immediate Editions, 1981); The Collected Poems of Robert Creeley, 1945-1975 (Berkeley: University of California Press, 1982);
Echoes (West Branch, Iowa: Toothpaste Press, 1982);
A Calendar 1984 (West Branch, Iowa: Toothpaste Press, 1983);
Mirrors (New York: New Directions, 1983); The Collected Prose of Robert Creeley (New York and London: Marion Boyars, 1984; corrected edition, Berkeley: University of California Press, 1988);
Memory Gardens (New York: New Directions, 1986);
The Company (Providence: Burning Deck, 1988);
Window (Buffalo: The Poetry/Rare Books Collection, SUNY at Buffalo, 1988);
7 & 6 (Albuquerque: Hoshour Gallery, 1988);
"Autobiography," Contemporary Authors Autobiography Series, 10 (Detroit: Gale, 1989): 61-77; reprinted as Autobiography (Madras, India and New York: Hanuman, 1990); also reprinted in Tom Clark, Robert Creeley and the Genius of the American Common Place (NY: New Directions, 1993): 122-144. The Collected Essays of Robert Creeley (Berkeley : University of California Press, 1989);
Dreams (New York: Periphery / Salient Seedling Press, 1989);
It (Zurich, Switzerland: Bruno Bischofberger, 1989);
Robert Creeley: a Selection, 1945-1987 (New York: Dia Art Foundation, 1989);
Have a Heart (Boise: Limberlost Press, 1990);
Places (Buffalo: Shuffaloff Press, 1990);
Windows (New York: New Directions, 1990);
Gnomic Verses (La Laguna, Canary Islands: Zasterle Press, 1991);
The Old Days (Tarzana, Calif.: Ambrosia Press, 1991);
Selected Poems (Berkeley: University of California Press, 1991);
Life & Death (New York: Gagosian Gallery, 1993);
Echoes (New York: New Directions, 1994);
Loops: Ten Poems (Kripplebush, NY: Nadja, 1995).
RADIO SCRIPTS:
Listen, London, 1972.
OTHER:
Black Mountain Review, edited by Creeley (No. 1-7, Spring 1954-Autumn 1957); reprinted with an added introduction as Black Mountain Review (Vol. 1-3, New York: AMS Press, 1969);
Charles Olson, Mayan Letters, edited with a preface by Creeley (Palma de Mallorca, Spain: Divers Press, 1953; London: Cape, 1968);
New American Story, edited by Creeley and Donald Allen (New York: Grove, 1965; Harmondsworth, England: Penguin Books, 1971);
Selected Writings of Charles Olson, edited with an introduction by Creeley (New York: New Directions, 1966);
The New Writing in the USA, edited by Creeley and Allen with an introduction by Creeley (Harmondsworth, England: Penguin, 1967);
Whitman: Selected Poems, edited with an introduction by Creeley (Harmondsworth, England: Penguin, 1973);
The Essential Burns, edited with an introduction by Creeley (New York: Ecco, 1989);
Charles Olson, Selected Poems, edited with an introduction by Creeley (Berkeley: University of California Press, 1993).
Letters:
George F. Butterick, ed., Charles Olson & Robert Creeley: The Complete Correspondence, 8 vols. (Santa Barbara, Calif.: Black Sparrow Press, 1980 - ); volume 9 edited by Richard Blevins;
Ekbert Faas and Sabrina Reed eds., Irving Layton & Robert Creeley : the Complete Correspondence, 1953-1978 (Montreal: McGill-Queen's University Press, 1990).
Interviews:
Donald Allen, ed., Contexts of Poetry: Interviews 1961-1971 (Bolinas, Calif.: Four Seasons Foundation, 1973);
Ekbert Faas, Towards a New American Poetics: Essays and Interviews (Santa Barbara, Calif.: Black Sparrow Press, 1979): 165-198;
Tales Out of School: Selected Interviews (Ann Arbor: University of Michigan Press, 1993).
Bibliographies:
Willard Fox, Robert Creeley, Edward Dorn, and Robert Duncan: A Reference Guide (Boston, Mass.: G.K. Hall, 1989): 1-170;
Mary Novik, Robert Creeley: An Inventory, 1945-1970 (Kent, Ohio: Kent State University Press, 1973; Montreal: McGill-Queen's University Press, 1973);
Vincent Prestianni, "Robert Creeley: An Analytical Bibliography of Bibliographies," Sagetrieb 10, 1-2 (1991): 209-213.
Selected References:
Charles Altieri, "Robert Creeley's Poetics of Conjecture," Self and Sensibility in Contemporary American Poetry (Cambridge: Cambridge University Press, 1984): 101-131;
Charles Bernstein, "Hearing 'Here': Robert Creeley's Poetics of Duration," Contents Dream: Essays 1975-1984 (Los Angeles: Sun & Moon Press, 1986): 292-304; "Creeley's Eye and the Fiction of the Self," Review of Contemporary Fiction, forthcoming;
George F. Butterick, "Editor's Introduction," Charles Olson & Robert Creeley: The Complete Correspondence, Vol. 1 (Santa Barbara, Calif.: Black Sparrow Press, 1980): ix-xv;
Douglas Calhoun, ed., "Robert Creeley issue," Athanor 4 (Spring 1973);
Tom Clark, The Poetry Beat: Reviewing the Eighties (Ann Arbor: University of Michigan Press, 1990); Robert Creeley and the Genius of the American Common Place (New York: New Directions, 1993);
Joseph M. Conte, "One Thing Finding Its Place with Another: Robert Creeley's Pieces," Unending Design: the Forms of Postmodern Poetry (Ithica: Cornell University Press, 1991): 87-104;
Robert Creeley, "Thinking of You," The Review of Contemporary Fiction 8, no. 3 (Fall 1988): 82-85; Lecture, Berkeley Poetry Conference (July 23, 1965) [audiotape]; Letter to William Matheson, in William V. Spanos, ed., Robert Creeley: a Gathering, a special issue of Boundary 2: A Journal of Postmodern Literature 6, no. 3/7, no. 1 (1978): 488-90; Reading at the University of Buffalo (March 20, 1991) [audiotape];
Robert Duncan, "A Reading of Thirty Things," Boundary 2 6, no. 3-7, no.1 (Spring/Fall 1978): 293-299;
Richard Eberhardt, interview with Robert Creeley (Washington: Library of Congress, June 1, 1961) [Audio tape];
Cynthia Edelberg, Robert Creeley's Poetry: a Critical Introduction (Albuquerque: University of New Mexico Press, 1978);
Ekbert Faas, "Robert Creeley," Towards a New American Poetics: Essays and Interviews (Santa Barbara: Black Sparrow Press, 1979): 147-164;
Arthur L. Ford, Robert Creeley (Boston: Twayne Publishers, 1978);
Edward Halsey Foster, "Robert Creeley, Poetics of Solitude," Understanding the Black Mountain Poets (Columbia: University of South Carolina Press, 1994): 81-121;
Stephen Fredman, "'A Life Tracking Itself': Robert Creeley's Presences: A Text for Marisol," Poet's Prose: the Crisis in American Verse, 2nd. ed. (Cambridge: Cambridge University Press, 1990): 57-100;
Ernesto Livon Grosman, interview with Robert Creeley (New York: Radio Reading Project, 1992) [Radio broadcast];
Robert Hass, "Creeley: His Metric," Twentieth Century Pleasures: Prose on Poetry (New York: Ecco, 1984): 150-160;
Anselm Hollo, Sojourner Microcosms (Berkeley: Blue Wind Press, 1977);
Bruce Jackson and Diane Christian, Creeley (Buffalo: Documentary Research, 1988) [Motion picture];
Lewis MacAdam and John Dorr, Robert Creeley (Los Angeles: Lannan Foundation, 1990) [Videorecording];
Ann Mandel, Measures: Robert Creeley's Poetry (Toronto: The Coach House Press, 1974);
"Multiples & Objects & Books," Print Collector's Newsletter 24 (Jan/Feb 1994): 227-28;
Charles Olson, "For R. C.," Olson: the Journal of the Charles Olson Archives 6 (Fall, 1976); Selected Writings of Charles Olson (New York: New Directions, 1966);
Sherman Paul, "A Letter on Rosenthal's 'Problems of Robert Creeley,'" Boundary 2: A Journal of Postmodern Literature 3, no. 3 (Spring 1975): 747-60; The Lost America of Love: Rereading Robert Creeley, Edward Dorn, and Robert Duncan (Baton Rouge: Louisiana State University Press, 1981): 1-73;
Ted Pearson, in "Robert Creeley and the Politics of the Person," Poetics Journal 9 (June 1991): 159-164;
Marjorie Perloff, "Four Times Five: Robert Creeley's The Island," Boundary 2 6, no. 3-7, no.1 (Spring/Fall 1978): 491-507;
M. L. Rosenthal, "Problems of Robert Creeley," Parnassus 2, no. 1 (Fall/Winter 1973): 205-14;
Meyer Rubinstein, review of 7&6 in Flash Art no. 152 (May/June 1990): 188;
Ron Silliman, "Language, Realism, Poetry," In the American Tree (Orono, ME: National Poetry Foundation, University of Maine at Orono, 1986): xv-xxiii;
William V. Spanos, "'The Fact of Firstness': A Preface," Robert Creeley: a Gathering, a special issue of Boundary 2: A Journal of Postmodern Literature 6, no. 3/7, no. 1 (1978): 1-8;
Warren Tallman, Three Essays on Creeley (Toronto: Coach House Press, 1973);
Carroll F. Terrell, ed., Robert Creeley: the Poet's Workshop (Orono: National Poetry Foundation, University of Maine at Orono, 1984);
Jack Tworkov in The New American Painting As Shown in Eight European Countries, 1958-1959. Reprint ed. (New York: Museum of Modern Art, 1972).;
Robert Von Hallberg, "Robert Creeley and John Ashbery: Systems," American Poetry and Culture, 1945-1980 (Cambridge: Harvard University Press, 1985): 36-61;
John Wilson, ed. Robert Creeley's Life and Work : A Sense of Increment (Ann Arbor: University of Michigan Press, 1988);
William Carlos Williams, Imaginations. New York: New Directions, 1970.
Papers:
The major collection of Creeley manuscripts and correspondence are housed in Special Collections, Stanford University, Stanford, California;
Other collections include: Beinecke Rare Book and Manuscript Library of the Yale University Library, New Haven, Connecticut (correspondence with William Carlos Williams);
Humanities Research Center, University of Texas Libraries, Austin (correspondence with Ezra Pound and Louis Zukofsky);
John M. Olin Library, Washington University, St. Louis, Missouri (manuscripts and correspondence predating 1965);
Lilly Library, University, Bloomington (manuscripts and correspondance with Cid Corman);
Simon Fraser University Library, Burnaby, British Columbia, Canada (correspondence with Richard Emerson);
University of Connecticut Library, Storrs (correspondence with Charles Olson).